Modal Soloing
A favourite type of tune I like to solo over is something that has chords lasting for 2 or 4 measures and chord changes which are far removed from II
Category: Improvisation
Kumoi (Minor Pentatonic)
Pentatonic scales are a great tool for adding just the right notes to a chord. They are somewhere between being a scale and an arpeggio. Used in interesting ways, pentatonic
Lydian b7 Mode
The “Lydian b7” scale is the 4th mode of the Melodic Minor Scale. Its name aptly describes what it is and what it sounds like. The Lydian Mode is of
10 Note Scale
I know what you’re thinking; what’s wrong with the old 7 note scales? Actually the 10 note scale is a variation of the 7th scale, which yes, has 8 notes.
Improvising with Triads (Arpeggios)
When we think about improvising in jazz we most often think about more notes, bigger arpeggios and more complicated scales as the road to playing more intricate and exciting solos.
Autumn Thieves (Stealing from the melody)
In the words of the great Igor Stravinsky: “Lesser artists borrow, great artists steal.” As I’m sure you don’t want to be a “lesser artist” but a great artist, we’re
Harmonic Minor
Improvising over songs that have a lot of chord progressions in minor is always so much fun. The thing I like most about playing tunes with a lot of progressions
7th scales (Dom7 and Half-Diminished Chords)
Seventh scales (7th Scales) are basically descending mixolydian modes with added notes. The most common way of playing a 7th scales is to add the major 7th between the root
Starting Lines (Early and Late)
In our last lesson, Improvising with Arpeggios, we looked at using arpeggios to create lines in a Bebop style. All of our lines started on the beat of bar 1.
Improvising with Arpeggios (BeBop)
In this post I’ll be exploring how we can create jazz or bebop lines using arpeggios. Arpeggios sound excellent in jazz lines partly because they give us the exact sound