Lydian b7 Mode
The “Lydian b7” scale is the 4th mode of the Melodic Minor Scale. Its name aptly describes what it is and what it sounds like. The Lydian Mode is of
Exploring Chords, Scales and Arpeggios
The “Lydian b7” scale is the 4th mode of the Melodic Minor Scale. Its name aptly describes what it is and what it sounds like. The Lydian Mode is of
I know what you’re thinking; what’s wrong with the old 7 note scales? Actually the 10 note scale is a variation of the 7th scale, which yes, has 8 notes.
In the words of the great Igor Stravinsky: “Lesser artists borrow, great artists steal.” As I’m sure you don’t want to be a “lesser artist” but a great artist, we’re
Improvising over songs that have a lot of chord progressions in minor is always so much fun. The thing I like most about playing tunes with a lot of progressions
Seventh scales (7th Scales) are basically descending mixolydian modes with added notes. The most common way of playing a 7th scales is to add the major 7th between the root
In our last lesson, Improvising with Arpeggios, we looked at using arpeggios to create lines in a Bebop style. All of our lines started on the beat of bar 1.
In this post I’ll be exploring how we can create jazz or bebop lines using arpeggios. Arpeggios sound excellent in jazz lines partly because they give us the exact sound
When it comes to sight reading, it’s important to treat the music you are reading like any other piece of music. In fact, I will also add that it is
In this lesson, we will look at soloing in a Bebop style using a technique I call “targeting 3rds.” This technique will help make your soloing sound like you are
In this lesson, we will combine 3 scale forms to produce fingerings to play scales across 3 octaves. The scale forms are standard fingerings used to play major scales. First