When it comes to sight reading, it’s important to treat the music you are reading like any other piece of music. In fact, I will also add that it is important to try and read real music and not just from books that are “designed for reading.” “Jazz Reading Elements” is a collection of songs for reading and as you will see in this post, it is also a collection of songs for playing, soloing over and plain old playing jazz.
So when I say read and treat it like any other piece of music, I mean, play the melody with expression, feeling and dynamics, solo over the changes and comp the chords. The best way to do all of this would be to gather a bunch of musician friends together, like in the olden days, and everyone sight reads and solos over the music together.
To give you an idea, I’ve taken one of the reading exercises from my book, “Reading Exercise 28” and put together a recording which illustrates just this. Now unfortunately I didn’t hire all my favorite jazz session players but rather just played everything myself. In todays world this has become an easy enough thing to do. (And I’m a bit of a recording gear nut)
*Update April 28, had the great Dave Watts in the studio today and he added some beautiful double bass. Track has been updated. Thank you Dave!
So here we have the lead sheet for “Reading Exercise 28” from my book “Jazz Reading Elements” along with a transcription of the solo I recorded. The solo is in fact improvised so as with all improvisations, there will be playing that’s behind the beat and 8th notes that seem to have a tempo of their own. The transcription should be seen as a rounding out of all of the imperfections (or musical jewels) and not an exact transcription. To listen to the track, just scroll to the bottom of the page. I’ve also added an 8 bar intro to get you into the piece. Also please note that the classical guitar and piano are not playing the comping rhythm in part 2. Enjoy and feel free to add comments, etc…