Green Dolphin Street is one of my favorite types of standards to improvise on. It mixes modal progressions with Bebop. Take a look at the chart below. The “A” sections will be played using a modal technique and “B” and “B1” will be played in a Bebop style.
Let’s start with the “A” sections. For this modal section, we will use a technique called “Common Tone Approach.” This is a great tune to demonstrate this technique because we have a “C” pedal tone through most of the “A” section. As the name suggests, we will use a common tone to help us generate the modes we need to improvise. In other words, all of our modes will use the “C” note as their roots. Let’s begin. Continue reading “Improv Lesson 2 (BeBop)”
You’ve probably noticed that learning jazz guitar involves practicing many different things from scales to chords to arpeggios and so much more. You may even start to realize that there is an overwhelming amount of material to practice. Yes, there is a lot to practice but it’s all very doable. Knowing how to effectively organize your practice time is critical to moving forward. So what do we do.
Although you do need to practice everything, you need to practice the areas where you are weak more often and areas where you are strong less often. In other words, work on new techniques and concepts should take up the majority of your practice time while leaving a little time to review techniques and concepts you are more confident with.
A practice timetable is an excellent way to organize your practice time. A timetable allows you to keep track of the things you need to practice, how much time you will spend on each and what you are practicing each day. This way you keep track of the things you practiced yesterday or last week and have a clear record of everything you have done and everything you need to do. It’s so easy to find yourself wrapped up in something new, especially when you are excited about practicing it. This can lead you to neglect areas that may not be one hundred percent and require attention. Continue reading “Practice Timetable”
Chord substition is a great way to get some extra millage out of the chords you already know. It’s also a great technique to find new ways to come up with interesting progressions. The basic idea is to use one chord in place of another.
Let’s start with a few simple examples.
C6 = Am7
Cm6 = Am7(b5)
With these two examples, they are the same because they share the exact same notes.